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Filming began in late 2021 and went into hiatus the following April. The timeline was also tight, production sources claim.
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The teen drama’s second season, which had eight episodes, cost more than $97 million, and its first season’s budget was over $47 million, according to California film and TV tax credit records.) Despite the constrained allowance, the network allegedly expected Seimetz to deliver Euphoria-esque results, complete with music videos and using expensive mansions, nightclubs, and stadiums as sets. (That’s about half the budget of Euphoria’s upcoming third season, which is expected to cost at least $110 million.
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Two sources familiar with the show’s finances say HBO had wanted to keep costs low with a series budget around $54 million, or roughly $9 million an episode for the six-episode series.
“Honestly, I think HBO handed her a shit stack.” (Seimetz declined to comment.) “Amy was doing her best in an impossible situation, but she was going to lose this no matter what,” one production member says. When she arrived on set seven weeks before the show started filming, she was given half-finished scripts, a first-time showrunner in Epstein, a tight schedule, and near-impossible expectations from HBO, those sources say. Seimetz, whose indie, psychological-thriller style seemed a good fit for the show’s dark and sinister themes, was announced that month as director.īut three crew members allege Seimetz seemed set up to fail from the start. All three are credited as writers, along with writer Joe Epstein and Succession’s Mary Laws. The Idol was dreamed up by Tesfaye, his producing partner Reza Fahim, and Levinson, going into development in June 2021 with HBO ordering it to series that November. HBO called The Idol one of the network’s “most exciting and provocative original programs,” in a statement to Rolling Stone, adding “the creative team has been committed to creating a safe, collaborative, and mutually respectful working environment, and last year, the team made creative changes they felt were in the best interest of both the production and the cast and crew.” There just was an overall caring from both the cast and the crew deeply on both sets.”
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completely professional people, thinking ahead, people problem solving on a dime, being collaborators and caring. In a statement provided to Rolling Stone, Depp called Levinson “the best director” she’s ever worked with, saying she has never “felt more supported or respected in a creative space, my input and opinions more valued.”Ī source close to the production added, “It couldn’t have been a better crew from my standpoint, from both Amy and in Sam’s case across the board. Levinson and Tesfaye did not respond to requests for comment, however after this story published, Tesfaye posted a clip from The Idol, writing, “ Rolling Stone did we upset you?”
Troye Sivan Gets Melancholic With Billie Eilish 'What Was I Made For?' Cover Yet three teaser trailers have come and gone, and HBO can still only offer a vague “later this year.” (A rep for the network declined to comment on when the show will air.) One source with knowledge of the production schedule tells Rolling Stone the network initially hoped for The Idol to premiere last fall, taking over the Sunday time slot left open by House of the Dragon, which ended in October.
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Though the show was ordered to series in November 2021, it’s been months since HBO gave a concrete update about when The Idol will debut. nightclub who secretly runs a cult reminiscent of NXIVM and Scientology. Levinson and Abel “ The Weeknd” Tesfaye are the “sick and twisted minds” behind the “sleaziest love story in all of Hollywood” (HBO’s words) that follows pop superstar Jocelyn (Depp) as she navigates the seedy underbelly of the music industry and falls under the spell of Tedros (Tesfaye), a mysterious owner of a popular L.A.
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For months, the hype machine has been at full tilt for HBO’s upcoming series The Idol, which is being billed as a darker, crazier, and more risqué version of Levinson’s smash-hit Euphoria. And in-demand director Sam Levinson at the helm. Supporting roles for Blackpink’s Jennie, Troye Sivan, and a handful of other buzzy stars. The Weeknd as a slimy, modern cult leader.
Lily-Rose Depp as a glamorous, troubled pop star.
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